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Edwin G Lucas
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Edwin G Lucas : ウィキペディア英語版
Edwin G Lucas

Edwin G Lucas was a Scottish Modernist artist who lived from 1911 to 1990. He was an amateur, self-taught apart from evening classes at Edinburgh College of Art, but during the period 1939-1952 he produced Surrealist works that are said to be unprecedented in Scottish art of the period.
His work attracted little attention from the art world at the time, but it started receiving recognition following its "discovery" in 2013 by curators of the Scottish National Gallery of Modern Art.
==Early career==

Edwin George Lucas was born in Leith on 30 March 1911 and grew up in Juniper Green, a village on the outskirts of Edinburgh. He was educated at Juniper Green Primary School and then George Heriot's School.
He was interested in a career in art, but his family discouraged this because his uncle, E G Handel Lucas, who is now a well regarded Victorian artist, struggled to make a decent living and lived the latter part of his life in poverty.〔 Instead, Edwin joined the Civil Service in Edinburgh and studied at Edinburgh University, graduating as a Bachelor of Law in 1934.〔
Throughout the 1930s he painted conventional, well executed landscapes. These were mainly watercolours, with a strong emphasis on the countryside close to the family home in Juniper Green. They were often accepted for exhibition by the Society of Scottish ArtistsSociety of Scottish Artists, Annual Exhibition Catalogues, 1934, 1935, 1937, 1940, 1941, 1942, 1943, 1945.〕 (SSA) and the Royal Scottish AcademyRoyal Scottish Academy, Catalogue 1941.〕
One of these paintings attracted attention from the French journal ''La Revue Moderne des Arts et de la Vie''.〔La Revue Moderne des Arts et de la Vie, 38e Année No 9, 15 Mai 1938, p.25.〕 Its review called him ''"artiste extrêmement cultivé...un artiste plein de claire simplicité"'' (a highly educated artist...a painter of great clarity and simplicity). It also commented on his ''"liberté d'esprit et sa souplesse de style"'' (freedom of spirit and stylistic versatility), attributes that were to become defining characteristics of his later work.

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